Sunday, March 17, 2019
Fugitive Pieces :: Essays Papers
Fugitive PiecesReport on Fugitive PiecesSearing the mind with immobilize images while seducing with radiant prose, this brilliant first novel is a fiction of damaged lives and the indestructibility of the human spirit. It speaks about loss, about the urgency, pain and ultimate mend power of memory, andabout the redemptive power of love. Its characters come to understand the implacability of the natural world, the ingenuous perfection ofscience, the heartbreak of history. The narrative is permeated with insights about row itself, its power to strive and destroy meaning, and to restore it again to those with stalwart hearts.During WWII, when Jakob Beer is seven, his parents are murdered by Nazi soldiers who invade their Polish village, and his beloved, musically talented 15-year-old sister, Bella, is abducted. Fleeing from the blood-drenched scene, he is as if by magic saved by Greek geologist Athos Roussos, who secretly transports the traumatized boy to his home on the island of Zakynthos, where they live through the Nazi occupation, suffering privations but escaping the atrocities that decimate Greeces Jewish community. Jakob is haunted by the moment of his parents death the burst door, buttons spilling out of a saucer onto the floor, darkness and his spirit remains sorrowfully linked with that of his illogical sister, whose fate anguishes him. But he travels in his imagination to the places that Athos describes and the books that this kindly pupil provides. At wars end, Athos accepts a university post in Toronto, and Jakob begins a new life. notwithstanding he remains disoriented and unmoored, trapped by memory and grief, a damaged chromosome the more so after Athos premature death. By then, however, Jakob has observed his mtier as poet and essayist and strives to find in language the meaning of his life. The miraculous gift of a soul mate in his second wife, voluptuous scholar Michaela, comes late for Jakob. Their marriage is brief, and ends in i mmobilize irony. The second part of the novel concerns a younger man, Ben, who is profoundly influenced by Jakobs poetry and goes to the Greek island of Idhra in an attempt to find the writers notebooks after his death. Ben is some other damaged soul. The son of Holocaust survivors, he carries their sorrow like a heavy stone. Emotionally maimed and fearful, Ben feels that he was born into absence.
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